Saturday, October 16, 2010

Window's Vista

I've had a longtime love/hate relationship with Dwell Magazine. I canceled it last year, but someone recently gifted me a subscription. I typically thumb quickly through the unrealistic and unattainable, but in their 10 Year Anniversary Issue I spotted a dwelling that can only be described as Mid-century Modest.

The curbside view on this flat-roofed gem is understated to say the least. Overgrown and weatherworn, the front façade simply says 'simple'. Which I love. While the tan 1970's Bavaria silently screams 'taste'. Which I love even more.

The interior on the other hand, though still simple and tasteful, is an exercise in where and when to indulge. They opted to cover the inside in basic 70's-looking clay tiles—the exact same tan as the Bimmer mind you—which is striking (but it's not like they went with marble). Yet every interior item points toward the place where they actually dropped some dough—the back wall or the lack thereof.

The owners eliminated the back wall of the humble home entirely and opted for an opulent 26-foot-long, 18-foot-high sliding glass door that opens the entire interior to a unique view of LA. There's no TV in the house, the view is their flat screen and a beautiful vintage record-player is their soundtrack. Thanks Dwell, for inspiring us with this one. See a full slideshow here.

3 comments:

  1. Sweet.

    I have a whole draft post with reasons why I hate DWELL. One of them being that is has turned me into a total design snob w/insufficient funds to justify my snobbery.

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  2. please tell me you've watched matchstick men. this house looks almost identical to the one in that movie. classic look; love it.

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  3. Yesss. Awesome mid-century modern home in that great, pre-scary hair Nick Cage flick.

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